MURILLO, Bartolome Esteban
Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).

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MURILLO, Bartolome Esteban A Girl and her Duenna sg oil painting


A Girl and her Duenna sg
1670 Oil on canvas, 106 x 127 cm National Gallery of Art, Washington
Painting ID::  8321
MURILLO, Bartolome Esteban
A Girl and her Duenna sg
1670 Oil on canvas, 106 x 127 cm National Gallery of Art, Washington
   
   
     

MURILLO, Bartolome Esteban Immaculate Conception sg oil painting


Immaculate Conception sg
Oil on canvas, 206 x 144 cm Museo del Prado, Madrid
Painting ID::  8322
MURILLO, Bartolome Esteban
Immaculate Conception sg
Oil on canvas, 206 x 144 cm Museo del Prado, Madrid
   
   
     

MURILLO, Bartolome Esteban Immaculate Conception sg oil painting


Immaculate Conception sg
1670 Oil on canvas Walters Art Gallery, Baltimore
Painting ID::  8323
MURILLO, Bartolome Esteban
Immaculate Conception sg
1670 Oil on canvas Walters Art Gallery, Baltimore
   
   
     

MURILLO, Bartolome Esteban Immaculate Conception sg oil painting


Immaculate Conception sg
Oil on canvas, 96 x 64 cm Museo del Prado, Madrid
Painting ID::  8324
MURILLO, Bartolome Esteban
Immaculate Conception sg
Oil on canvas, 96 x 64 cm Museo del Prado, Madrid
   
   
     

MURILLO, Bartolome Esteban Immaculate Conception sg oil painting


Immaculate Conception sg
Oil on canvas, 96 x 64 cm Museo del Prado, Madrid
Painting ID::  8325
MURILLO, Bartolome Esteban
Immaculate Conception sg
Oil on canvas, 96 x 64 cm Museo del Prado, Madrid
   
   
     

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     MURILLO, Bartolome Esteban
     Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).

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